Ship of Fools, or The Titanic Arrogance of Postmodernity

“We’re setting sail
To the place on the map
From which no one has ever returned
Drawn by the promise of
the joker and the fool
By the light of the crosses that burn

Drawn by the promise of
the women and the lace
And the gold and the cotton and pearls
It's the place where they keep all the darkness you need
You sail away from the light of the world on this trip, baby

You will pay tomorrow
You’re gonna pay tomorrow
You will pay tomorrow”

— Ship of Fools, World Party (1986)

Those are pretty “Christian” lyrics, really.

Oh, they’re not genteel, kindly or polite, to be sure; but they’re real, they’re true and they’re accurate — at least when we apply them to our present society.

Too Hot to Handle: The Dwarves are for the Dwarves

In which our regular writers toss around subjects a little more volatile than usual.

The term “postmodern” is not actually all that modern. John Watkins Chapman used it in the 1880s in relation to art criticism. Umberto Eco has said that postmodernism is less a style or a period than an “attitude”.

The attitude comes out clearly in what is produced by postmodernists in their various fields: postmodern graphic design disdains traditional conventions such as legibility; postmodern music rejects beauty and sometimes structure; postmodern philosophers reject the concepts of subjectivity and objectivity. You get the general idea.

Tom: Immanuel Can, help me nail it down: what is postmodernism?

Ship of Fools, or The Titanic Arrogance of Postmodernity

The most recent version of this post is available here.

Ship of Fools, or The Titanic Arrogance of Postmodernity

The most recent version of this post is available here.

Too Hot to Handle: The Dwarves are for the Dwarves

The most recent version of this post is available here.