True story: When I was in my early university career, I was friends with a girl whose father taught history there. One of his students exhibited a most peculiar propensity in his essays; and that is, that no matter what question he was asked, he always answered, “God did it.”
What caused the Napoleonic Wars?
“God did.”
Today I am going to generalize, because there’s no way to discuss the topic at hand usefully without doing so. Since it is my occasional, bitter experience that some people detest generalizations, I will dutifully warn you up front that you are in for endless amounts of them if you read on. Best come back another time if you find yourself emotionally triggered by statements about averages offered in the absence of hard evidence.
You heard me right. I’m not even going to offer statistics to support the assertions that follow. Why not? Because people of a non-generalizing disposition who dislike what I have to say will simply dispute the data. Again, bitter experience. That, and those capable of pattern recognition don’t need statistics to back up what they already know.
True story: When I was in my early university career, I was friends with a girl whose father taught history there. One of his students exhibited a most peculiar propensity in his essays; and that is, that no matter what question he was asked, he always answered, “God did it.”
What caused the Napoleonic Wars?
“God did.”
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| Perhaps a little something like this? |
“It is impossible to be an artist and not care for laws and limits. Art is limitation; the essence of every picture is the frame. If you draw a giraffe, you must draw him with a long neck. If, in your bold creative way, you hold yourself free to draw a giraffe with a short neck, you will really find that you are not free to draw a giraffe. The moment you step into the world of facts, you step into a world of limits. You can free things from alien or accidental laws, but not from the laws of their own nature. You may, if you like, free a tiger from his bars; but do not free him from his stripes. Do not free a camel of the burden of his hump: you may be freeing him from being a camel. Do not go about as a demagogue, encouraging triangles to break out of the prison of their three sides. If a triangle breaks out of its three sides, its life comes to a lamentable end. Somebody wrote a work called ‘The Loves of the Triangles’; I never read it, but I am sure that if triangles ever were loved, they were loved for being triangular. This is certainly the case with all artistic creation, which is in some ways the most decisive example of pure will. The artist loves his limitations: they constitute the THING he is doing.”— G.K. Chesterton, Orthodoxy