|
[Originally presented April 11, 2014] |
Imagine yourself sitting in the center row of a darkened theatre, in an evening performance of a show entitled
Cabaret. Tonight’s offering is a musical, and yet it is a musical unlike most others. It’s almost entirely devoid of the kind of cheerfulness that is usually associated with that particular genre, focusing as it does on the excesses of the Weimar Republic in the days just before the outbreak of World War II. Such humor as the play has is heavily ironic, filled with innuendo, and ultimately black.
As you may recall, the government of the Weimar Republic was a notorious failure. Beset by massively complex political challenges, splintered by factions, weighed down with incompetence and undermined by corruption, the Weimar administration dragged Germany through a period of widespread economic, social and political debasement. This debasement was felt on many levels, from the heads of state all the way down to the social conditions and private lives of the citizens. Cabaret revels in some of the more unsavoury aspects of this society, which became truly sick with sin. Using the metaphor of the infamous cabaret shows of the ’30s, the play follows one society’s decline into unrestrained individualism, indulgence and debauchery.
In the two hours in which you have been in the theatre you have been dragged through the bowels of German interbellum night-life.