Last week I took issue with an argument made by
the higher critics that Genesis 2 teaches that
animals were created after mankind rather than on the fifth and earlier part of
the sixth days, as described in chapter 1.
Their argument, if you recall, is based on a
straightforward linear reading of chapter 2. The creation of man is
described in verse 7, they say, followed by the creation of beasts, birds
and livestock in verse 19, then the creation of woman in verse 22.
That “contradicts” the order given us in chapter 1.
My response was that the narrative is not
linear, and that all the events of chapter 2 are not given to us in
consecutive order. There is no reason they should be.
Two Kinds of Storytelling
I’m thinking that requires some further explanation. The higher critics’ complaint is a petty one. Furthermore, it is not terribly
observant of them. Their problem is that they are lightning-quick to grasp at
any possible straw that might help them build their case against the integrity
of scripture, and slow as molasses about getting to any evidence that argues
against it.
In making the claim that the narrative of Genesis 2
is not entirely linear, I am not at all arguing that the chapter is unique in
telling us its story that way, or unique in repeating for us something we
already know from an earlier chapter. Most of the history we read in the Bible
and elsewhere is presented consecutively, to be sure, and all of it is moving
forward in a general way. All the same, there are regular, notable exceptions
we cannot ignore. Genesis 2 is the first of these exceptions, but it is
far from the last.
Non-linear storytelling is actually a very common feature of historical narrative in the rest of Genesis, in the rest of the
Bible, and throughout literature generally. If you read novels and watch movies
or even episodic TV shows, you regularly experience non-linear storytelling.
CSI Miami, for instance, started many episodes by giving us a glimpse of what would occur in the last
five minutes of the show, then cutting back to retell the tale from the
beginning. That’s not exactly what the writer of Genesis is doing, and I don’t
particularly like the device when it’s used that way, but my point is that even
today, the non-linear narrative is definitely a very common way to tell a story.
It was no less common 3,500 years ago.
Some writers choose to work their way through a story consecutively, describing event after event in the order they occurred.
Others work their way through a story by subject rather than by event,
gathering all the information about a particular person or thing in one place,
then moving backward or forward in time to start in a new subject as required.
It all depends what the writer is trying to do. A pure historian may opt to
work through events consecutively; a teacher or moralist may not. Sometimes the
reader is better served by a non-linear presentation.
Cain and Seth
A great example of this occurs in Genesis exactly two chapters later. At the end of Genesis 4, we find the murderous
Cain on the run, estranged from his family and away from the presence of the
Lord, and finally settling down in the land of Nod. Now the writer stops to
tell us a little bit more about Cain:
“Cain knew his wife, and she conceived and bore Enoch. When he built a city, he called the name of the city after the name of his son, Enoch. To Enoch was born Irad, and Irad fathered Mehujael, and Mehujael fathered Methushael, and Methushael fathered Lamech. And Lamech took two wives. The name of the one was Adah, and the name of the other Zillah. Adah bore Jabal; he was the father of those who dwell in tents and have livestock. His brother’s name was Jubal; he was the father of all those who play the lyre and pipe.”
In a mere six verses, the writer brings six generations of Cain’s
descendants to adulthood, giving us pithy insights into some of their
accomplishments and pursuits. Then, in the very next verse, he returns us to Adam and Eve. Note that
to do so, he is obliged to step backward in time:
“And Adam knew his wife again, and she bore a son and called his name Seth, for she said, ‘God has appointed for me another offspring instead of Abel, for Cain killed him.’ ”
This is manifestly non-linear storytelling. Seth was almost surely born several centuries before Jubal
invented lyres and pipes, long before his brother Jabal pitched his first tent.
Seven Generations in 130 Years?
In chapter 5, we learn that Adam fathered Seth at the age of 130. In order to squeeze Cain and the six subsequent generations of his descendants described in verses 17 through 22 of chapter 4 into that 130 year span, one would have to argue that Cain and all his children fathered their firstborn sons at an average age of 19. While not impossible, this is such an unlikely series of events as to be a total non-starter; ergo, the narrative is non-linear. In the very same chapter, we discover that the average age at which the men of Adam’s line through Seth fathered their own firstborn sons was 156, almost a full order of magnitude older; the low end being 65 and the high end being 500, in the case of Noah.
What the writer is doing here is finishing up the subject of Cain. Once he is done with Abel’s murderer and his family history, he takes us back
in time to Adam, Cain’s father, and moves forward again from there. In all
likelihood those six verses about Cain’s family at the end of chapter 4
cover a span of between 700 and 1,000 years. A reasonable assumption of
non-linearity in this instance allows for the building of cities that is
described in these verses, as well as the discovery of music and the
development of instruments.
Then, just as he does in chapter 2, our writer repeats himself. After having told us in 4:25 that Adam fathered Seth, he tells us again
at the beginning of chapter 5. This is not because he has forgotten he already told us about Seth’s birth, nor
should it cause us to speculate that some later editor has awkwardly cobbled
together two further completely different historical documents. It’s simply a
storytelling technique that gets used over and over again in scripture.
Now It Gets Tense ...
Further, note that when the writer repeats himself like this, he
doesn’t bother to satisfy the pedants among us by resorting to a change of
tenses to make things “clearer”. He simply repeats the same event in the past
tense, just as he did in chapter 2 with respect to the creation of the
beasts:
“When Adam had lived 130 years, he fathered a son in his own likeness, after his image, and named him Seth.”
Not the pluperfect “had fathered”, as the critics really ought to demand for the
sake of consistency, but the past tense “fathered”. The construction is similar to
chapter 2’s use of the past tense “formed” rather than the pluperfect “had formed” in the phrase “Now out of the ground the Lord God formed every beast of the field …”
Both are unapologetic restatements of known facts in the past tense, and each
case they lead us into new subjects: in the one case, the story of Adam’s line;
in the other, the need for an appropriate help for Adam, which the beasts were
unable to provide.
Other Examples
The same non-linear storytelling technique is used repeatedly in
Genesis. We find it between chapters 5 and 6, where the writer takes us up
to the birth of Noah’s three sons, then backs up in time to tell us how mankind
had declined in the interval. It is used in chapters 10 and 11, where
five generations of Shem’s descendants are first named, after which the writer
backs up in time to tell us about the Tower of Babel, right after which he repeats
and amplifies the generations of Shem to an entirely different purpose. In
chapter 19, we get the story of Lot’s descendants, after which we back up
in time to return to Abraham. In chapter 36, we get generation after
generation of Esau’s descendants named, after which we return to Jacob’s story,
many years earlier.
To their credit, Christians make an effort to answer the objections
of the higher critics of the word of God. But some answers are better than
others. The translators of the NIV and ESV are not wrong in changing “formed”
to “had formed” in Genesis 2:19, in the sense that they have arrived at
the correct answer about what the passage really means: God made the animals
and birds in chapter 1, and that fact is reiterated for us in
chapter 2. Unfortunately, in editing the text, they are also no longer really
translating: they are opining. That gives Bible skeptics something to latch onto.
The fact is, we don’t need a language-based fix in Genesis 2:19.
We just need to point out that the critics are being insufficiently observant
about the storytelling style of the book they are criticizing.
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