Imagine yourself sitting in the center row of a darkened theater at an evening performance of a show entitled Cabaret. Tonight’s offering is a musical, and yet it is a musical unlike most others. It’s almost entirely devoid of the kind of cheerfulness that is usually associated with that particular genre, focusing as it does on the excesses of the Weimar Republic in the days just before the outbreak of World War II. Such humor as the play has is heavily ironic, filled with innuendo, and ultimately black.
